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Rencontre pascal alliance dating moulezan

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It just goes to show how Cajun music in the 20s and 30s was a real melting pot of styles and influences.

For such an isolated group as the Cajuns, their musicians sure were tuned in to the popular music of the day. But you could still hear really old sounds dating far back even while these modern influences were at work.

Cleoma Falcon with her brother Clifford Breaux are heard on a couple of "American" tunes, J'Suis Partis sur le Grand Chemin Tres Disatisfe (Going Down the Road Feeling Bad), and Continuez Sonner (Keep Knocking but You Can't Come In)!They are the basis of songs done by people like Austin Pitre, Bois Sec and Canray, Iry Lejeune, and others.Lomax made a field trip to southwest Louisiana in 1934, where he recorded Wayne Perry.The phonograph was finding its way into many homes, and people wanted to hear local music.With nothing more than the scant, vague promise that a furniture store, for example, could sell a few hundred copies of a local musician's songs, recording companies like Victor, Vocalion, Brunswick, Columbia, Bluebird, and Paramount sent engineers and recording equipment to outposts like New Orleans, San Antonio, Memphis, and Atlanta, or a bus ticket north to headquarters in Camden, New Jersey, Chicago, Richmond, Indiana, Grafton, Wisconsin, etc., and Cajun musicians were among the bunch to record alongside commercial artists like Jimmie Rodgers, jazz greats like Johnny Dodds, ragtime guitarists like Blind Blake, ladies of the blues like Bessie Smith, etc.

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